BVG=Bstation Verkehrs Aktiengesellschaft

to begin before brecht/distancing effect, estrangement effect, or alienation effect

Xmal Deutschland - Polarlicht

something from the past

audio video installation, tone home at cheap art
coti k, dimitris charitos, evgeniou and voltnoi
2003

between the lines/the possibility of a history

autonomy is the body without organs of politics, anti-hierarchic, anti-dialectic, anti-representative. it is not only a political project, it is a project for "existence".
individuals are never autonomous: they depend on external recognition. the autonomous body is not exclusive or identifiable. it is beyond recognition. a body of workers, it breaks away from labor discipline; a body of militants, it ignores party organization; a body of doctrine, it refuses ready-made classifications.
autonomy has no frontiers. it is a way of eluding the imperatives of production, the verticality of institutuions, the traps of political representation, the virus of power. in biology, an autonomous organism is an element that functions
independently of other parts.
political autonomy is the desire to allow differences to depen at the base without trying to synthesize them from above, to stress similar attitudes without imposing a 'GENERAL LINE', to allow parts to co-exist side by side, in their singularity.

dirty

Ooh, I been dirt
And I don't care
Ooh, I been dirt
And I don't care
Cause I'm burning inside
I'm just a yearning inside
And I'm the fire o' life

mr. kirk's nightmare

Coitus interruptus

Coitus interruptus, also known as withdrawal or the pull-out method, is a method of contraception in which a couple has sexual intercourse, but semen is ejaculated outside of and away from the vagina. Coitus interruptus may also more generally refer to any extraction of the penis prior to ejaculation during intercourse. This method has been widely used for at least 2,000 years and was used by an estimated 38 million couples worldwide in 1991.

the impossible clasS

the workers in europe should declare that henceforth as a class they are a human impossibility, and not only, as is customary, a harsh and purposeless establishment.

They should introduce an era of vast swarming out from the European beehive, the like of which has never been experienced, and with this act of emigration in the grand manner protest against the machine, against capital, and against the choice with which they are now threatened, of becoming of necessity either slaves of the state or slaves of a revolutionary party.




let Europe relieve itself of the fourth part of it's inhabitants...


What at home began to degenarate into dangerous discontent and criminal tendencies will, once outside, gain a wild and beautiful naturalness and be called heroism...




the romantic view/then

point_a of discussion/connection: the simplicity in which "marginality" was/is and will be eradicated.
point_b: the necesity for transversality/diversity/fluidity

with new weapons

glorified

stairway to hell

Has life without fire become unbearable for them?

hell i go or hell i stay?

The Erasers: 49th film fesival_live cinematics/green screen_simulacra

The Erasers: 49th film fesival_live cinematics/godard_harltley_sonic youth mix

diminuendo

A directive to a performer to smoothly decrease the volume of the specific passage of a composition. This can be designated with the word diminuendo at the beginning of the passage or with the "hair pin" symbol consisting of two horizontal lines that start apart at the left and come together to a point at the right. There is typically a dynamic mark at either end of the symbol indicating the desired volume before and after the diminuendo. This is often seen in its abbreviated forms dim. or dimi.

The Erasers: 49th film fesival_live cinematics /obects as narrative

los niños del parque

The little kids in the park
are really lucky
They go walking
Holding hands
Dreaming about candy
which doesnt cost any money

But.. Who dares to say
they are innocents?
They will smoke cigarettes
They will play with atomic bombs

The Erasers: 49th film fesival_live cinematics/The Naked Machine

The Erasers: 49th film fesival_live cinematics/The Naked Machine

music by fotis siotas, kostas pantelis, bombie baumann and electroware

The Erasers: 49th_thessaloniki film festival/the un_official P.O.V

Una furtiva lagrima
negli occhi suoi spuntò:
Quelle festose giovani
invidiar sembrò.
Che più cercando io vò?
Che più cercando io vò?
M'ama! Sì, m'ama, lo vedo. Lo vedo.
Un solo istante i palpiti
del suo bel cor sentir!
I miei sospir, confondere
per poco a' suoi sospir!
I palpiti, i palpiti sentir,
confondere i miei coi suoi sospir...
Cielo! Sì, può morir!
Di più non chiedo, non chiedo.
Ah, cielo! Sì, può! Sì, può morir!
Di più non chiedo, non chiedo.
Sì, può morir! Sì, può morir d'amor.

confront_history class

tv.c

non_media

non_media