Wednesday, June 28, 2006

process revelation 2/b_m

part two: text

no one is waiting any more for the REVOLUTION, only for the ACCIDENT, the breakdown, that will reduce this unbearable chatter to silence

a cross between a snark and a knowing machine

process revelation:

the non-linear texts/quotes/sound sources and all relevant material that is the first draft of the spontaneous combustible which will take place at b/museum will be revealed

part one: text

we are on the threshold of an event that has no historical precedent. we have already witnessed numerous transformations in society, but there has never been mutations of humanity itself. and yet we are confronted with the immminence of this metamorphosis.


nothing means nothing.


what can I be, if i am everything?

Wednesday, June 21, 2006

keep the frequency clear

Monday, June 19, 2006


Friday, June 16, 2006

eraser posters

ERASERS_b/m____///mass music/sonic city

drag and drop the image onto the machine that you use and with any of the programs that you have at your disposal(word/photoshop/indesign/scanner_and pencil/magicmarker etc..) fill in the lines.
all forms are compositions(notes/words/drawings/random paint_print patterns etc..).
then use the machine that you have at your disposal to send this composition to THE ERASERS
these compositions will be the score
communicate these compositions to:


there will be communication. this communication will be random. This communication will have to do with THE ERASERS at synch(benaki m). All comunications that are relevent to this ERASER action will be tagged as ERASERS_b/m

Wednesday, June 14, 2006


1-the Babylon Lottery/Borges
2-The Agenbite of Outwit/McLuhlan
3-Terminal Documents/Ballard
5-The Ravishing of Lol.V Stein/Duras

spokesman for surfaces/KAFKATERIA #2

He wanders towards the Promised Land. That is to say: he moves from one place to another, and dreams continually of stopping. And because this desire to stop is what haunts him, is what counts most for him, he does not stop. He wanders. That is to say: without the slightest hope of ever going anywhere.
He is never going anywhere. And yet he is always going. Invisible to himself, he gives himself up to the drift of his own body, as if he could follow the trail of what refuses to lead him. And by the blindness of the way he has chosen, against himself, in spite of himself, with its veerings. de-tours and circlings back ,his step always one step in front of nowhere, invents the road he has taken. And yet on this road he is never free. For all he has left behind still anchors him to his starting place, makes him regret ever having taken the first step, robs him of all assurance in the rightness of departure. And the farther he travels from his starting place, the greater his doubt grows. His doubt goes with him, like breath, like his breathing between each step-fitful, oppressive- so that no true rhythm, no one pace, can be held. And the farther his doubt goes with him, the nearer he feels to the source of that doubt, so that in the end it is the sheer distance between him and what he has left behind that allows him to see what is behind him: what he is not and might have been. But his thoughts bring him neither solace nor hope. For the fact remains that he has left all this behind, and in all these things, now consigned to absence. To the longing born of absence, he might once have found himself, fulfilled himself, by following the one law given to him, to remain, and which he now transgresses, by leaving. All this conspires against him, so that at each moment, even as he continues on his way, he feels he must turn his eyes from the distance that lies before him, like a lure, to the movement of his feet, appearing and disappearing below him, to the road itself, its dust, the stones that clutter its way, the sound of his feet clattering upon them, as though it were a penance, and he, who would have married the distance before him. Becomes against himself, in spite of himself, the intimate of all that is near. Whatever he can touch, he lingers over, examines, describes with a patience that at each moment exhausts him, overwhelms him, so that even as he goes on, he calls this going into question, and questions each step he is about to take. He who lives for an encounter for the unseen becomes the instrument of the seen: he would quarry the earth becomes the spokesman of its surfaces, the surveyor of its shades.
Whatever he does, then, he does for the sole purpose of subverting himself, of undermining his strength. If it is a matter of going on, he will do everything in his power not to go on. And yet he will go on. For even though he lingers, he is incapable of rooting himself. No pause conjures a place. But this, too, he knows. For what he wants he does not want. And if this journey has any end, it will only be by finding himself, in the end, where he began.
He wanders. On a road that is not a road, on an earth that is not his earth, an exile in his own body. Whatever is given to him, he will refuse. Whatever is spread before him, he will turn his back on. He will refuse the better to hunger himself for what he has denied himself. For to enter the Promised Land is to despair of ever coming near it. Therefore, he holds everything away from him, at arm’s length, at life’s length, and comes closest to arriving when farthest from his destination. And yet he goes on. And from one step to the next he finds nothing but himself. Not even himself, but the shadow of what he will become. For in the least stone touched, he recognizes a fragment of the Promised Land. Not even the Promised Land, but its shadow. And between the shadow and the shadow lives light. And not just any light, but this light, the light that grows inside him, unendingly, as he goes along his way.


Tuesday, June 13, 2006

integration program>CHANCE

…a search for formal perfection which the world can and therefore must attain: I, on the contrary, have been convinced for some time that perfection is not produced except marginally and by chance; therefore it deserves no interest at all, the true nature of things being revealed only in disintegration.

Thursday, June 08, 2006

THE RISE AND FALL OF (_________)>fill in the blank

"WE have reached those days when we can endure neither our vices or their remedies"

Thursday, June 01, 2006

the abduction of the box

an audioverbal poem by elias lagios

words: nektarios
audio: voltnoi
mask : dimitris merantzas
light design: emmanouel koutsourelis
sound engineer: stefanos konstantinidis

@scholeion 9 of june 21:30