Sunday, October 28, 2007
Saturday, October 27, 2007
Friday, October 26, 2007
Monday, October 22, 2007
Monday, October 15, 2007
Stimulus Reduction Architecture
1-silence
A space that is a completely self-contained environment and that is designed so that no sound can infiltrate it.
It is a space in which someone can detox/defrag from the noise pollution that pervades the city_scape.
The design for the interior of this space and the methodology of the flow of the users should be based on the concept of silence on every level: the construction (interior and perhaps exterior) which the user enters should , at its core, have the least possible(degree zero if possible) audible and visceral stimulus.
This structure can be a formal(ready made) store-type building which is mutated for the above purpose or it can be an original design structure that is built-up solely for the above mentioned function.
A space that is a completely self-contained environment and that is designed so that no sound can infiltrate it.
It is a space in which someone can detox/defrag from the noise pollution that pervades the city_scape.
The design for the interior of this space and the methodology of the flow of the users should be based on the concept of silence on every level: the construction (interior and perhaps exterior) which the user enters should , at its core, have the least possible(degree zero if possible) audible and visceral stimulus.
This structure can be a formal(ready made) store-type building which is mutated for the above purpose or it can be an original design structure that is built-up solely for the above mentioned function.
Sunday, October 14, 2007
program : minus_1 /text
minus_1 means minus the mediation of self reflective thought patterns , the internalization of ideas,the critique of possible forms and structures
minus one does not mean that these behaviors will be deleted, but it does mean that they will be overtly revealed in public space/open source
this means that the rough drafts/the first materials and all that one may consider the building blocks for a " work", and specifically for the new ERASERS composition,will be transmitted without any "soft censorship" and without the mediation of the "personal aesthetics" of the variable personas that the ERASERS are.
these transmissions will be tagged as minus_1
minus one does not mean that these behaviors will be deleted, but it does mean that they will be overtly revealed in public space/open source
this means that the rough drafts/the first materials and all that one may consider the building blocks for a " work", and specifically for the new ERASERS composition,will be transmitted without any "soft censorship" and without the mediation of the "personal aesthetics" of the variable personas that the ERASERS are.
these transmissions will be tagged as minus_1
...and the violent bear it away(_am hidden in secret messages on devices in the sprawl/_am, lost and found)
Friday, October 12, 2007
Thursday, October 11, 2007
Monday, October 08, 2007
Sunday, October 07, 2007
Saturday, October 06, 2007
Echelon
Here are the Echelon “top secret” key words, so they can find this site plenty of times:
Waihopai, INFOSEC, Information Security, Information Warfare, IW, IS, Priavacy, Information Terrorism, Terrorism Defensive Information, Defense Information Warfare, Offensive Information, Offensive Information Warfare, National Information Infrastructure, InfoSec, Reno, Compsec, Computer Terrorism, Firewalls, Secure Internet Connections, ISS, Passwords, DefCon V, Hackers, Encryption, Espionage, USDOJ, NSA, CIA, S/Key, SSL, FBI, Secert Service, USSS, Defcon, Military, White House, Undercover, NCCS, Mayfly, PGP, PEM, RSA, Perl-RSA, MSNBC, bet, AOL, AOL TOS, CIS, CBOT, AIMSX, STARLAN, 3B2, BITNET, COSMOS, DATTA, E911, FCIC, HTCIA, IACIS, UT/RUS, JANET, JICC, ReMOB, LEETAC, UTU, VNET, BRLO, BZ, CANSLO, CBNRC, CIDA, JAVA, Active X, Compsec 97, LLC, DERA, Mavricks, Meta-hackers, ^?, Steve Case, Tools, Telex, Military Intelligence, Scully, Flame, Infowar, Bubba, Freeh, Archives, Sundevil, jack, Investigation, ISACA, NCSA, spook words, Verisign, Secure, ASIO, Lebed, ICE, NRO, Lexis-Nexis, NSCT, SCIF, FLiR, Lacrosse, Flashbangs, HRT, DIA, USCOI, CID, BOP, FINCEN, FLETC, NIJ, ACC, AFSPC, BMDO, NAVWAN, NRL, RL, NAVWCWPNS, NSWC, USAFA, AHPCRC, ARPA, LABLINK, USACIL, USCG, NRC, ~, CDC, DOE, FMS, HPCC, NTIS, SEL, USCODE, CISE, SIRC, CIM, ISN, DJC, SGC, UNCPCJ, CFC, DREO, CDA, DRA, SHAPE, SACLANT, BECCA, DCJFTF, HALO, HAHO, FKS, 868, GCHQ, DITSA, SORT, AMEMB, NSG, HIC, EDI, SAS, SBS, UDT, GOE, DOE, GEO, Masuda, Forte, AT, GIGN, Exon Shell, CQB, CONUS, CTU, RCMP, GRU, SASR, GSG-9, 22nd SAS, GEOS, EADA, BBE, STEP, Echelon, Dictionary, MD2, MD4, MDA, MYK, 747,777, 767, MI5, 737, MI6, 757, Kh-11, Shayet-13, SADMS, Spetznaz, Recce, 707, CIO, NOCS, Halcon, Duress, RAID, Psyops, grom, D-11, SERT, VIP, ARC, S.E.T. Team, MP5k, DREC, DEVGRP, DF, DSD, FDM, GRU, LRTS, SIGDEV, NACSI, PSAC, PTT, RFI, SIGDASYS, TDM. SUKLO, SUSLO, TELINT, TEXTA. ELF, LF, MF, VHF, UHF, SHF, SASP, WANK, Colonel, domestic disruption, smuggle, 15kg, nitrate, Pretoria, M-14, enigma, Bletchley Park, Clandestine, nkvd, argus, afsatcom, CQB, NVD, Counter Terrorism Security, Rapid Reaction, Corporate Security, Police, sniper, PPS, ASIS, ASLET, TSCM, Security Consulting, High Security, Security Evaluation, Electronic Surveillance, MI-17, Counterterrorism, spies, eavesdropping, debugging, interception, COCOT, rhost, rhosts, SETA, Amherst, Broadside, Capricorn, Gamma, Gorizont, Guppy, Ionosphere, Mole, Keyhole, Kilderkin, Artichoke, Badger, Cornflower, Daisy, Egret, Iris, Hollyhock, Jasmine, Juile, Vinnell, B.D.M.,Sphinx, Stephanie, Reflection, Spoke, Talent, Trump, FX, FXR, IMF, POCSAG, Covert Video, Intiso, r00t, lock picking, Beyond Hope, csystems, passwd, 2600 Magazine, Competitor, EO, Chan, Alouette,executive, Event Security, Mace, Cap-Stun, stakeout, ninja, ASIS, ISA, EOD, Oscor, Merlin, NTT, SL-1, Rolm, TIE, Tie-fighter, PBX, SLI, NTT, MSCJ, MIT, 69, RIT, Time, MSEE, Cable & Wireless, CSE, Embassy, ETA, Porno, Fax, finks, Fax encryption, white noise, pink noise, CRA, M.P.R.I., top secret, Mossberg, 50BMG, Macintosh Security, Macintosh Internet Security, Macintosh Firewalls, Unix Security, VIP Protection, SIG, sweep, Medco, TRD, TDR, sweeping, TELINT, Audiotel, Harvard, 1080H, SWS, Asset, Satellite imagery, force, Cypherpunks, Coderpunks, TRW, remailers, replay, redheads, RX-7, explicit, FLAME, Pornstars, AVN, Playboy, Anonymous, Sex, chaining, codes, Nuclear, 20, subversives, SLIP, toad, fish, data havens, unix, c, a, b, d, the, Elvis, quiche, DES, 1*, NATIA, NATOA, sneakers, counterintelligence, industrial espionage, PI, TSCI, industrial intelligence, H.N.P., Juiliett Class Submarine, Locks, loch, Ingram Mac-10, sigvoice, ssa, E.O.D., SEMTEX, penrep, racal, OTP, OSS, Blowpipe, CCS, GSA, Kilo Class, squib, primacord, RSP, Becker, Nerd, fangs, Austin, Comirex, GPMG, Speakeasy, humint, GEODSS, SORO, M5, ANC, zone, SBI, DSS, S.A.I.C., Minox, Keyhole, SAR, Rand Corporation, Wackenhutt, EO, Wackendude, mol, Hillal, GGL, CTU, botux, Virii, CCC, Blacklisted 411, Internet Underground, XS4ALL, Retinal Fetish, Fetish, Yobie, CTP, CATO, Phon-e, Chicago Posse, l0ck, spook keywords, PLA, TDYC, W3, CUD, CdC, Weekly World News, Zen, World Domination, Dead, GRU, M72750, Salsa, 7, Blowfish, Gorelick, Glock, Ft. Meade, press-release, Indigo, wire transfer, e-cash, Bubba the Love Sponge, Digicash, zip, SWAT, Ortega, PPP, crypto-anarchy, AT&T, SGI, SUN, MCI, Blacknet, Middleman, KLM, Blackbird, plutonium, Texas, jihad, SDI, Uzi, Fort Meade, supercomputer, bullion, 3, Blackmednet, Propaganda, ABC, Satellite phones, Planet-1, cryptanalysis, nuclear, FBI, Panama, fissionable, Sears Tower, NORAD, Delta Force, SEAL, virtual, Dolch, secure shell, screws, Black-Ops, Area51, SABC, basement, data-haven, black-bag, TEMPSET, Goodwin, rebels, ID, MD5, IDEA, garbage, market, beef, Stego, unclassified, utopia, orthodox, Alica, SHA, Global, gorilla, Bob, Pseudonyms, MITM, Gray Data, VLSI, mega, Leitrim, Yakima, Sugar Grove, Cowboy, Gist, 8182, Gatt, Platform, 1911, Geraldton, UKUSA, veggie, 3848, Morwenstow, Consul, Oratory, Pine Gap, Menwith, Mantis, DSD, BVD, 1984, Flintlock, cybercash, government, hate, speedbump, illuminati, president, freedom, cocaine, $, Roswell, ESN, COS, E.T., credit card, b9, fraud, assasinate, virus, anarchy, rogue, mailbomb, 888, Chelsea, 1997, Whitewater, MOD, York, plutonium, William Gates, clone, BATF, SGDN, Nike, Atlas, Delta, TWA, Kiwi, PGP 2.6.2., PGP 5.0i, PGP 5.1, siliconpimp, Lynch, 414, Face, Pixar, IRIDF, eternity server, Skytel, Yukon, Templeton, LUK, Cohiba, Soros, Standford, niche, 51, H&K, USP, ^, sardine, bank, EUB, USP, PCS, NRO, Red Cell, Glock 26, snuffle, Patel, package, ISI, INR, INS, IRS, GRU, RUOP, GSS, NSP, SRI, Ronco, Armani, BOSS, Chobetsu, FBIS, BND, SISDE, FSB, BfV, IB, froglegs, JITEM, SADF, advise, TUSA, HoHoCon, SISMI, FIS, MSW, Spyderco, UOP, SSCI, NIMA, MOIS, SVR, SIN, advisors, SAP, OAU, PFS, Aladdin, chameleon man, Hutsul, CESID, Bess, rail gun, Peering, 17, 312, NB, CBM, CTP, Sardine, SBIRS, SGDN, ADIU, DEADBEEF, IDP, IDF, Halibut, SONANGOL, Flu, &, Loin, PGP 5.53, EG&G, AIEWS, AMW, WORM, MP5K-SD, 1071, WINGS, cdi, DynCorp, UXO, Ti, THAAD, package, chosen, PRIME, SURVIAC,UFO
Here I am. I have nothing to hide, except free knowledge.
Friday, October 05, 2007
adios
I am now at the Hu[e]rt Museum at Rue Le Mepris. Beneath the stains of time, feelings disappear, I think once again. Other images appear, merge, in that museum, which is perhaps that of my memory.
But I learned my lesson: because some memories had survived, I could not refuse their existence or the means of their survival.
Now she is at Rue de Montage, at café Marrienbad.
Men can see nothing around them that is not in their own image; Everything speaks to them of themselves, she thinks.
One for your sorrow, one for my anger, I said.
(We re listening to music, coming from a distant place, Two Wrongs Don't Make A Right, mixed with I Love how you Love me)
Then another wave of Time washes over her.
I' m gone.
Malfunction.
Heart and soul. Both will burn.
I am over and out.
Thursday, October 04, 2007
the policy of truth
Truth drugs developed by the KGB
A defector from the biological weapons department 12 of the KGB "illegals" (S) directorate (presently a part of Russian SVR service) claimed that a truth drug codenamed SP-17 is highly effective and has been widely used. "The 'remedy which loosens the tongue' has no taste, no smell, no color, and no immediate side effects. And, most important, a person has no recollection of having the 'heart-to-heart talk'" (the human subject feels afterwards as if they suddenly fell asleep). Officers of the S directorate used the drug primarily to check the trustworthiness of their own illegal agents who operated overseas. [2] Assassinated FSB officer Alexander Litvinenko suggested that Russian presidential candidate Ivan Rybkin was drugged with the same substance (identified as SP-117) by FSB agents during Russian presidential election, 2004 (he dropped out of the presidential race due to the alleged kidnapping and drugging by FSB agents) [3]
A defector from the biological weapons department 12 of the KGB "illegals" (S) directorate (presently a part of Russian SVR service) claimed that a truth drug codenamed SP-17 is highly effective and has been widely used. "The 'remedy which loosens the tongue' has no taste, no smell, no color, and no immediate side effects. And, most important, a person has no recollection of having the 'heart-to-heart talk'" (the human subject feels afterwards as if they suddenly fell asleep). Officers of the S directorate used the drug primarily to check the trustworthiness of their own illegal agents who operated overseas. [2] Assassinated FSB officer Alexander Litvinenko suggested that Russian presidential candidate Ivan Rybkin was drugged with the same substance (identified as SP-117) by FSB agents during Russian presidential election, 2004 (he dropped out of the presidential race due to the alleged kidnapping and drugging by FSB agents) [3]
shutter speeds(assemblage one for distance deleted)
1. In none of the traditional arts is there such a wide gap between possibilities and facts as in the cinema. Motion pictures act directly upon the spectator; they offer him concrete persons and things; they isolate him, through silence and darkness, from the usual psychological atmosphere. Because of all this, the cinema is capable of stirring the spectator as perhaps no other art. But as no other art, it is also capable of stupefying him. Unfortunately, the great majority of today's films seem to have exactly that purpose; they glory in an intellectual and moral vacuum. In this vacuum, movies seem to prosper.
2. Mystery is a basic element of all works of art. It is generally lacking on the screen. Writers, directors and producers take good care in avoiding anything that may upset us. They keep the marvelous window on the liberating world of poetry shut. They prefer stories which seem to continue our ordinary lives, which repeat for the umpteenth time the same drama, which help us forget the hard hours of our daily work. And all this, of course, carefully watched over by traditional morals, government and international censorship, religion, good taste, white humour and other flat dicteria of reality.
3. The screen is a dangerous and wonderful instrument, if a free spirit uses it. It is the superior way of expressing the world of dreams, emotions and instinct. The cinema seems to have been invented for the expression of the subconscious, so profoundly is it rooted in poetry. Nevertheless, it almost never pursues these ends.
4. We rarely see good cinema in the mammoth productions, or in the works that have received the praise of critics and audience. The particular story, the private drama of an individual, cannot interest - I believe - anyone worthy of living in our time. If a man in the audience shares the joys and sorrows of a character on the screen, it should be because that character reflects the joys and sorrows of all society and so the personal feelings of that man in the audience. Unemployment, insecurity, the fear of war, social injustice, etc., affect all men of our time, and thus, they also affect the individual spectator. But when the screen tells me that Mr. X is not happy at home and finds amusement with a girl-friend whom he finally abandons to reunite himself with his faithful wife, I find it all very moral and edifying, but it leaves me completely indifferent.
5. Octavio Paz has said: "But that a man in chains should shut his eyes, the world would explode." And I could say: But that the white eye-lid of the screen reflect its proper light, the Universe would go up in flames. But for the moment we can sleep in peace: the light of the cinema is conveniently dosified and shackled
2. Mystery is a basic element of all works of art. It is generally lacking on the screen. Writers, directors and producers take good care in avoiding anything that may upset us. They keep the marvelous window on the liberating world of poetry shut. They prefer stories which seem to continue our ordinary lives, which repeat for the umpteenth time the same drama, which help us forget the hard hours of our daily work. And all this, of course, carefully watched over by traditional morals, government and international censorship, religion, good taste, white humour and other flat dicteria of reality.
3. The screen is a dangerous and wonderful instrument, if a free spirit uses it. It is the superior way of expressing the world of dreams, emotions and instinct. The cinema seems to have been invented for the expression of the subconscious, so profoundly is it rooted in poetry. Nevertheless, it almost never pursues these ends.
4. We rarely see good cinema in the mammoth productions, or in the works that have received the praise of critics and audience. The particular story, the private drama of an individual, cannot interest - I believe - anyone worthy of living in our time. If a man in the audience shares the joys and sorrows of a character on the screen, it should be because that character reflects the joys and sorrows of all society and so the personal feelings of that man in the audience. Unemployment, insecurity, the fear of war, social injustice, etc., affect all men of our time, and thus, they also affect the individual spectator. But when the screen tells me that Mr. X is not happy at home and finds amusement with a girl-friend whom he finally abandons to reunite himself with his faithful wife, I find it all very moral and edifying, but it leaves me completely indifferent.
5. Octavio Paz has said: "But that a man in chains should shut his eyes, the world would explode." And I could say: But that the white eye-lid of the screen reflect its proper light, the Universe would go up in flames. But for the moment we can sleep in peace: the light of the cinema is conveniently dosified and shackled