dead fingers speak
1 The End of Production
The Structural Revolution of Value
The End of Production
Political Economy as a Model of Simulation
Labour and Death
2 The Order of Simulacra
The Three Orders of Simulacra
The Stucco Angel
The Automation and the Robot
The Industrial Simulacrum
The Metaphysics of the Code
The Tactile and the Digital
The Hyperrealism of Simulation
Kool Killer, or The Insurrection of Signs
3 Fashion, or The Enchanting Spectacle of the Code
The Frivolity of the Déja Vu
The 'Structure' of Fashion
The Flotation of Signs
The 'Pulsion' of Fashion
Sex Refashioned
The Insubvertible
4 The Body, or The Mass Grave of Signs
The Marked Body
Secondary Nudity
Strip-tease
Planned Narcissism
Incestuous Manipulation
Models of the Body
Phallus Exchange Standard
Demagogy of the Body
Apologue
Zhuang-Zi's Butcher
5 Political Economy and Death
The Extradition of the Dead
The Exchange of Death in the Primitive Order
Political Economy and Death
The Death Drive
Death in Bataille
My Death is Everywhere, my Death Dreams
6 The Extermination of the Name of God
The Anagram
The Linguistic Imaginary
The Witz, or The Phantasm of the Economic in Freud
The Structural Revolution of Value
The End of Production
Political Economy as a Model of Simulation
Labour and Death
2 The Order of Simulacra
The Three Orders of Simulacra
The Stucco Angel
The Automation and the Robot
The Industrial Simulacrum
The Metaphysics of the Code
The Tactile and the Digital
The Hyperrealism of Simulation
Kool Killer, or The Insurrection of Signs
3 Fashion, or The Enchanting Spectacle of the Code
The Frivolity of the Déja Vu
The 'Structure' of Fashion
The Flotation of Signs
The 'Pulsion' of Fashion
Sex Refashioned
The Insubvertible
4 The Body, or The Mass Grave of Signs
The Marked Body
Secondary Nudity
Strip-tease
Planned Narcissism
Incestuous Manipulation
Models of the Body
Phallus Exchange Standard
Demagogy of the Body
Apologue
Zhuang-Zi's Butcher
5 Political Economy and Death
The Extradition of the Dead
The Exchange of Death in the Primitive Order
Political Economy and Death
The Death Drive
Death in Bataille
My Death is Everywhere, my Death Dreams
6 The Extermination of the Name of God
The Anagram
The Linguistic Imaginary
The Witz, or The Phantasm of the Economic in Freud
posted by Vinqo Denken at 4:03 PM
7 Comments:
a compact contemporary theory post. my death was dreaming too last night of tertiary nudity and when I asked it what that meant it didn't have an answer.
death has an answer to all
tertiary nudity means 2 things for death
1-the you are a meber of the third order
2-that you are in the third position
death has an explanation for these
death can speak them to you or can dream them to you
mon decay, το the third order το πιάνω αλλά what do you mean by third position??
the third position can have many meanings
as of course death speaks in many tongues and never on a single linguistic level
the third position has been
1-the third woman in line after the wife and the concubine in the sexual caste system
2-the third position also has to do with the rituals of the rosicrucians, and in particular it deals with the hanging fool
3-the third position in crowleys boof of sex magik deals with the rites of the whore and power/fertility
4-the third position also deals with baumanns book on anti-hyper
capitalism
there are more of the 3rd
this is only a small portion of the various possibilities that death offers
mind if I don't opt for any of them... (sexual caste systems, rosicrucian rituals, Crowley and Baumann). I always thought my death addressed me in the first person singular, even when I am asleep, βρε τι μαθαίνει κανείς.
you are singular in the fact that you believe that you have a choice in opting for what death offers/communicates/imposes
are you above death?
if so then please tell us how you beat death in the chess game held at the end of the end
death does not address in the first person singular since death addresses, as a poet has said, THE THIRD THAT WALKS BESIDE YOU
but I always talk to the third person beside me (and the second), we're a gang of three in one, something like a babushka doll, only that we are separated and dragged into a beauty that is defiled in the end. right before that, together, we go through imaginary finalities for reality's sake, see "She" has to believe she’s real (reality). mr. c don’t take me too seriously
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